Our Graduate Program in Creative Writing has close to a 2:1 student-to-faculty ratio, one of the highest of any MFA program in the country, which means our MFAs and PhD Minors are never at a loss for guidance and mentorship in writing and publishing. Below are just a few of the credentials that have helped make our MFA program one of the best.
AMY QUAN BARRY, Professor (MFA: University of Michigan) is the author of the poetry collections Asylum, Controvertibles, Water Puppets, and Loose Strife, as well as the novel She Weeps Each Time You’re Born. Her poems have appeared in The New Yorker, The Missouri Review, Ploughshares, The Kenyon Review, and other literary publications. She is the recipient of the Agnes Lynch Starrett Prize (for Asylum) and has received fellowships from Stanford University, the Wisconsin Institute for Creative Writing, the Wisconsin Arts Board, and the National Endowment for the Arts.
SEAN BISHOP, Faculty Associate & Creative Writing Program Administrator (MFA: University of Houston) is the founding editor of Better: Culture & Lit. His collection of poems, The Night We’re Not Sleeping In, won the 2013 Kathryn A. Morton Prize, and appeared from Sarabande Books in 2014. He has received fellowships from the Poetry Foundation and the Wisconsin Institute for Creative Writing, and his poems have appeared in Best New Poets, Harvard Review, Ploughshares, Poetry, and other literary publications.
AMAUD JAMAUL JOHNSON, Associate Professor (MPA: Cornell University) is the author of the poetry collections Red Summer and Darktown Follies. His poems have appeared in The Cave Canem Anthology, The New England Review, The Virginia Quarterly Review, Poetry Daily, and other literary publications. He is the recipient of The Dorsett Prize (for Red Summer) and has received fellowships from Stanford University and Cave Canem.
JESSE LEE KERCHEVAL, Zona Gale Professor of English (MFA: University of Iowa) was the founding director of the MFA Program in Creative Writing and Director of the Wisconsin Institute for Creative Writing from 1994–2010. She is also an Affiliated Faculty Member of the Latin American, Caribbean, and Iberian Studies Program. She is the author of the 13 books of poetry, fiction and nonfiction in English. She also writes and publishes poetry in Spanish and is a translator of Spanish language poetry. Her books include the short story collections The Dogeater, which won the Associated Writing Programs Award, and The Alice Stories, winner of the Prairie Schooner Book Prize; the novella Brazil, winner of the Ruthanne Wiley Memorial Novella Prize; the novel The Museum of Happiness; the poetry collections Cinema Muto, which won the Crab Orchard Open Poetry Award, Dog Angel and World as Dictionary; the poetry chapbooks Chartreuse and Film History as Train Wreck, winner of the Center for Book Arts Chapbook Award; the memoir Space, which won the Alex Award from the American Library Association; and the creative writing textbook Building Fiction. Her most recent book is the novel, My Life as a Silent Movie. Her translations of the Uruguayan poet Circe Maia have appeared in Agni, the Gettysburg Review, the American Poetry Review, jubilat and Pleiades among other magazines, and she is the editor of América invertida: an anthology of younger Uruguayan poets, which is forthcoming from the University of New Mexico Press. She has received fellowships from the National Endowment for the Arts, the Radcliffe Research and Study Center at Harvard, the Wisconsin Arts Board, and the James A. Michener and Copernicus Society of America. More information about Jesse Lee Kercheval may be found on her website.
RON KUKA, Faculty Associate & Creative Writing Program Coordinator (MFA: University of Iowa) has published short stories in the Iowa Journal of Literary Studies, Toyon, and Pavement. His teaching has been recognized with the Chancellor's Hilldale Award for Excellence in Teaching.
JUDITH CLAIRE MITCHELL, Professor (MFA: University of Iowa) is the author of the novels A Reunion of Ghosts (2015) and The Last Day of the War. Her stories and poetry appear in anthologies and literary magazines such as Best of the Fiction Workshops, Shaping the Story, Behind the Short Story, Barnstorming, The Iowa Review, Prairie Schooner, StoryQuarterly, and others. She has received fellowships from the James A. Michener and Copernicus Society of America, the Wisconsin Institute for Creative Writing, and the Wisconsin Arts Board. She is currently the College of Letters & Science’s Jartz Fellow. More information is available on her website, judithclairemitchell.com.
RONALD WALLACE, Felix Pollak Professor of Poetry & Halls-Bascom Professor of English (PhD: University of Michigan) is the founder and Co-Director of the University of Wisconsin-Madison's Program in Creative Writing, and the founder and editor of the University of Wisconsin Press Poetry Series (the Brittingham and Pollak Prizes). He is the author of the poetry collections For a Limited Time Only, Now You See It, Long for This World: New & Selected Poems, The Uses of Adversity, Time's Fancy, The Makings of Happiness, People and Dog in the Sun, Tunes for Bears to Dance To, and Plums, Stones, Kisses & Hooks; the short story collection Quick Bright Things; and the critical books The Last Laugh, God Be With the Clown, and Henry James and the Comic Form. He is the editor of the poetry anthology Vital Signs. He has published poetry and stories in The New Yorker, The Atlantic, The Nation, Poetry, Paris Review, and many other literary publications. His awards and honors include Council for Wisconsin Writers Book Awards, Wisconsin Arts Board Grants, the Helen Bullis Prize, three Distinguished Teaching Awards, two ACLS Fellowships, the Robert E. Gard Foundation Award, the Gerald A. Bartel Award in the Arts, the Wisconsin Library Association Notable Author award, the Lynde and Harry Bradley Major (Lifetime) Achievement Award, the Mid-List Press First Series Award for Short Fiction (for Quick Bright Things), and the Association for Writers and Writing Programs' first George Garrett Award for "exceptional donations of care, time, and labor on behalf of other writers." More information about Ron Wallace is available at his website.
LYNDA BARRY, Assistant Professor of Interdisciplinary Creativity teaches courses frequently cross-listed with Creative Writing. She is a cartoonist, author, and performer whose books include Cruddy, One! Hundred! Demons!, The Good Times are Killing Me, and the illustrated novel-in-progress, Mr. Birdis. She has been a frequent guest on David Letterman, and she has produced an album-length spoken-word story collection called The Lynda Barry Experience. Her weekly comic strip, Ernie Pook's Comeek, ran for thirty years, and is widely credited with setting the expectations for and helping to establish the "literary" comics and graphic novel movement in the United States. Barry's interdisciplinary art and creative writing courses are crosslisted with the Art Department, the Wisconsin Institute for Discovery, and the Program in Creative Writing.
ANNE McCLINTOCK, Simone de Beauvoir Professor of English and Women's Studies (PhD: Columbia University), often teaches courses in Creative Nonfiction for the Program in Creative Writing. She is the author of Imperial Leather: Race, Gender and Sexuality in the Colonial Contest; Olive Scheiner; and Simone Beauvoir. She teaches creative nonfiction in the creative writing program, and spends most of her time teaching in the English Department's Literary Studies and Women's Studies Programs.
ROB NIXON, Rachel Carson Professor of English (PhD: Columbia University) often teaches courses in Creative Nonfiction for the Program in Creative Writing. He is the author of Dreambirds: The Strange History of the Ostrich in Fashion, Food, and Fortune; Homelands, Harlem, and Hollywood: South African Culture and the World Beyond; and London Calling: V.S. Naipaul, Postcolonial Mandarin. His work has appeared in The New Yorker, The Atlantic, The Nation, The Chronicle of Higher Education, The New York Times, The Times Literary Supplement, Critical Inquiry, South Atlantic Quarterly, and other literary and critical publications. He teaches creative nonfiction in the creative writing program, and spends most of his time teaching in the English Department's Literary Studies Program.